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      • Domenico Centamore
      • Valentina Cervi
      • Francesco Colella
      • Maria Grazia Cucinotta
      • Lucianna De Falco
      • Dom DeLuise
      • Christian De Sica
      • Andrea De Sica
      • Luigi Di Gianni
      • Pierfrancesco Diliberto
      • Luigi Diotaiuti
      • Vito Facciolla
      • Pierfrancesco Favino
      • Anna Ferruzzo
      • Ignazio Figus
      • Donatella Finocchiaro
      • Angela & Marianna Fontana
      • Mario Fratti
      • Mirko Frezza
      • Paolo Genovese
      • Claudia Gerini
      • Francesco Grillo
      • Sabrina Impacciatore
      • Enrique Irazoqui
      • Edoardo Leo
      • Enrico Lo Verso
      • Filippo Luna
      • Gabriele Mainetti
      • Pietro Marcello
      • Lucia Mascino
      • Valerio Mastandrea
      • Peter Miller
      • Francesco Munzi
      • Silvio Orlando
      • Ferzan Ozpetek
      • Andrea Pallaoro
      • Gianfranco Pannone
      • Francesco Patierno
      • Edgardo Pistone
      • Edoardo Ponti
      • Isabella Ragonese
      • Franco Rina, CinemadaMare
      • Raffaella Sacco
      • Maya Sansa
      • Talia Shire
      • Valeria Solarino
      • Paolo Sorrentino
      • Marco Tullio Giordana
      • Jasmine Trinca
      • Carlo Verdone
      • Fortunato Verduci
      • Burt Young
      • Gianni Zanasi
    • Streaming
    • Italy in Cinema
      • Calabrian Music in Film
      • Pasolini's Matera
      • Calabria As a Film Set
      • Explore Ancient Rome
      • Tour Pasolini's Rome
      • Pompeii revealed in Film
      • Carlo Levi's Lucania
      • Gaeta: City of Cinema
      • Calabrese Child Actor
      • Coppola Italian Hideaway
      • Destination Mount Vulture
      • Architecture of Matera
      • "Christ Stopped at Eboli"
      • "Return to Lucania"
      • Bollywood in Basilicata
      • Basilicata Goes High Tech
      • "My Country" Touts Molise
      • The Authentic Old Country
      • Documenting Naples
      • Sicilian Love
      • Frank Zappa in Sicily
      • The Sicilians
      • Palermo Pilgrimage
      • Basilicata in Cinema
      • Contemporary Matera
      • Seaside in Maratea
      • Basilicata Born and Bred
      • Dolce & Gabbana in Naples
      • In Rome with Mirko Frezza
      • Sardinian Set
      • Religious Rites in Italy
      • Mary Magdelene in Matera
      • Exorcisms in Palermo
      • Matera Stories
      • Inside a Milan Prison
      • Being Young In Basilicata
      • The Prince of Venusia
      • Inside Vatican City
      • On Location in Malta
      • Remembering Ustica
      • Indie Western in Matera
      • Racing Around Matera
      • Il Commissario Montalbano
      • "The Young Messiah"
      • "All Men Have a Price"
      • Filmmaking in Puglia
      • The Genius of Musmeci
      • "An Ideal Place"
      • The Carnevale of Satriano
      • Timeless Italy Series
      • Basilicata in 4K
      • Pasolini in Basilicata
      • Matera's Biblical Epic
      • Filmstudio, mon Amour
      • See Naples 100 Years Ago
      • Italy in Indian Cinema
      • Italy Offshore
      • A Beloved Dog in Sicily
      • Neapolitan Tenor on Films
      • "Flipo con La Basilicata"
      • Carlo Verdone's Rome Muse
      • A Sicily Rarely Seen
      • Puglia's Thriller
      • Dreaming Sardinia
      • An Italian in Space
      • Shadows of Garbatella
      • Matera in Reggae & Ska
      • An Actor's Sicilian Pride
      • On Location in Basilicata
      • Return to Aeolian Islands
      • Wenders' Palermo Shooting
      • A Lagoon in Tuscany
      • Cinecittà in Basilicata
      • A Neapolitan Legend
      • Winspeare's Apulia
      • Naples in New York
      • Rome's Island of Cinema
      • Rome's Sacro GRA
      • Rome's Eternal Legend
      • The Vatican in Cinema
      • "Habemus Papam"
      • Crialese's Sicily
      • Basilicata Post-Covid19
    • Trailblazers
      • Francesa Bertini
      • Laura Bispuri
      • Liliana Cavani
      • Francesca Comencini
      • Valentina Cortese
      • Veronica De Laurentiis
      • Karen Di Porto
      • Anna Magnani
      • Michela Occhipinti
      • Emanuela Ponzano
      • Alice Rohrwacher
      • Mo Scarpelli
      • Alessia Scarso
      • Maria Sole Tognazzi
      • Giovanna Taviani
      • Lina Wertmüller
      • Antonietta De Lillo
      • Taylor Taglianetti
      • Sophia Loren
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      • L'eleganza del cibo
      • Chef Luigi Diotaiuti
      • The Art of Arrangiarsi
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      • The Knights of the Lagoon
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      • Marco Strappato
      • Italian Futurism
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      • French Academy in Rome
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Luigi Di Gianni on Capturing History

On May 10, 2019, the grand documentarian Luigi Di Gianni passed away. His contribution to cinema will last through generations to come.


His documentary films have given voice to a people who would have otherwise been forgotten while preserving rituals and traditions no longer practiced. Visually stunning and emotionally moving, they reflect an Italy we’re not used to seeing in cinema.


Born in Naples in 1926, Luigi Di Gianni captured a dimension of Italy that people outside the South didn’t even know existed. He began his career working in the region of Basilicata, which back then was referred to as Lucania. He first visited the region with his parents when he was a boy. His father, being from the Lucanian village of Pescopagano, wanted to show his son his homeland. 


That trip made an impression on the 9-year-old and created a deep affection that would one day inspire him to return. “I always remained very emotional about returning to this part of my homeland of Lucania,” he says. “It seemed like a different planet compared to Rome, where I lived. The tiring journey, the unpaved roads, the difficulties in getting there by bus: Everything remained etched in my memory and in my heart.”


With the help of author Ernesto de Martino, who was traveling to the region on an anthropological study, Di Gianni made his first documentary in 1958. Magia Lucana went on to win Best Documentary at the 19th Venice Film Festival.

Watch Magia Lucana on YouTube

Through the medium of cinema, Di Gianni explored and documented the extreme poverty that existed in the ’50s and ’60s. The rarity of his subject matter works in concert with his dramatic, slightly dark musical soundtracks to create a truly unique cinematic experience.


His films show a strong, resilient people who somehow managed to endure “una stanchezza senza speranza” (an exhaustion without hope). In the first few films he shot in Lucania, we’re immersed in a desolate landscape whose denizens tirelessly work the land against the strong, silent backdrop of mountains, sea and olive trees. But as physically spent as they are, these people have a sense of determination that you can see in their eyes as well as their actions as they work with their neighbors, families and beasts of burden to scratch out a living and make Basilicata the treasure it is today.


Di Gianni also ventured with his crews into neighboring Campania, Puglia and Calabria, where he documented the traditions and hardships of those regions, drawing attention to the plight of the Southerners and preserving their culture on film.


Among the many documentaries Di Gianni shot in the region of Campania is the fascinating 1962 film Grazia e numeri, which explores the relationship between the citizens of Naples and the “anime pezzentelle” interred in the Fontanelle Cemetery. For the most part, the corpses contained in the cemetery belonged to the victims of a plague that swept across Italy in 1656 and a cholera epidemic that struck in 1836. With their remains abandoned and their souls trapped between heaven and earth, they were piled in large numbers into an underground graveyard. These bones eventually attracted the compassion of the living, who descended into the cemetery to establish a relationship with the souls who once animated them. Di Gianni takes us into this subterranean world, where the faithful recite prayers and visit with their adoptive spirits. This unique phenomenon is simultaneously creepy and loving: bodies abandoned in death due to disease that are cared for by the living through prayer. Outside these crypts, we make our way through the streets of 1962 Naples as the locals go about their lives. Grazia e numeri is a stirring and insightful glimpse into the soul of the South, both present and past, during that period.

Watch Grazia e numeri on YouTube

Di Gianni’s 1967 Tempo di raccolta (Harvest Time) documents a day in the life of Calabrese women as they work in the olive groves of the region. The simple but stunning beauty of those majestic centuries-old trees, Di Gianni’s choice of traditional music, and the play of sun and shadow during those autumn days turn the film into a visual and aural symphony. The generations of women working together, with the older ones filling the baskets and the younger ones lifting them atop their heads and carrying them off, present a picture of contentment. At lunch, they feast on bread, tomatoes, olive oil and wine before heading back to the groves, baskets in hand. A manned lift arrives to shake the tree loose of its fruits, and the morning routine repeats itself. The women return home in the evening to enjoy dinner as the family gathers around the table for spaghetti. They tuck the children into bed, the dawn returns, and they head back out to do it all over again.

Watch Tempo di raccolta on YouTube

The 1965 film Il male di San Donato (The Evil of San Donato) was shot during the month of August in a village near the southern tip of Puglia. The opening shots of the whitewashed buildings and empty streets capture the tranquility of a scorching summer day in southern Italy. Then, suddenly, we are faced with the “evil” referenced in the title. “The film takes place during the ceremony of the Feast of San Donato, protector of the village of Montesano in Salento, which back then was a part of Lecce,” Di Gianni explains. “During the event, people were seized by restlessness, epilepsy, powers of madness, because the saint, San Donato, is the protector of madmen and epileptics, and the village was invaded by this evil.” The film focuses on a number of possessed villagers who, with the help of their neighbors, overcome the powers that have taken hold of them. The phenomenon featured in the film no longer occurs today, so the film is now of great historical value. The village showed its appreciation by recently granting Di Gianni honorary citizenship.

Watch Il male di San Donato on YouTube

Now in his 90s, Di Gianni is enthusiastic about the South and talks about shooting these films in great detail with vivid recollections and precious memories. Regarding his unintentional historic contribution, he says, “I am not a director who operated in a scientific sense. I saw scientific opportunities and then went with my imagination, and I felt those worlds with my participation. I shot a documentary about the Madonna del Pollino that concerns Calabria and Lucania, and I lived great emotional moments. I witnessed some very particular behaviors as people were crawling on the ground with their tongue out and when they carried their animals into the church in front of the Madonna. There was an incredible relationship, a very strong bond with this Madonna. I don’t consider myself a believer or a non-believer, but there were moments in which these episodes deeply touched me and sometimes I participated. Sometimes I cried with them.”


-Written by Jeannine Guilyard for the series "Basilicata: Land of Cinema." Published in the October 2018 edition of Fra Noi Magazine, Chicago.

Watch 'Return to Lucania' Featuring Di Gianni's films

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